So...it begins again: the daily hawking and harrassment of all my friends, colleagues and acquaintances via Facebook, Twitter and email to pledge to this latest worthy campaign. The opening of the campaign page on Kickstarter to see where we're at and the disappointment as it slogs through sluggish slowness or elation when it begins to pick up momentum. And that wonderful, joyful feeling in the center of my chest when people pledge, which signifies not just a dollar amount (which in and of itself is important and the goal and all that) but something even bigger and more significant: this person believes and supports what I'm doing as an artist and human being.
Kickstarter is an interesting and fabulous animal - it works something like this, in the case of artists: you (or your group) creates an online fundraising campaign for a particular project. You must have a goal in mind, and there is a deadline. If you do not reach your goal by the deadline, you don't get ANY of the money. This is great, actually - it raises the stakes and creates a sense of urgency. And the beauty, for would-be backers is that you can pretty much donate any amount of money you want to, as little as a BUCK, or as much as you want. I, personally, am pretty strapped for cash at the moment, barely have two sticks to rub together, but somehow, have still been able to back projects in a small way...I like to call it "microphilanthropy".
Also, it works through word-of-mouth, via social media, email, newsletters and your actual MOUTH! The more people involved, the more people there are to get the word out, and if their people tell people and those people tell people...well, you get the idea. It has the potential to be very wide-reaching, and it can spread like wildfire when the momentum hits.
In running a Kickstarter, however, you have to be a little mindful. More than one per year and people get Kickstarter burnout. Didn't you just ask me for money for that other thing? My first two were two years apart. I worry now that my 2nd and third are not far apart enough, and perhaps my people are all experiencing the aforementioned burnout, despite the fact that it's for a completely different theatre company.
(On a side note (and this is MY blog, so I can rant if I want to), I always find it interesting that most extended family members are always right there when it comes to shelling out $$ for wedding gifts, or a child's birthday or what not, but when it comes to something like this, it's like crickets. It's more the principle of the thing, really, since I'm not the greatest when it comes to sending out gifts/thank you's etc - mostly has to do with being broke. I tried the handmade gift thing for awhile, but am never sure if those are appreciated, though they actually take more time, thought and effort than going to the store and plunking down a credit card. But whatever. I'm fairly certain that even if I was someone who sent out cards and presents to everyone's birthdays and weddings, these Kickstarters would still be overlooked by most of my family. It's just my weird art thing I do. They don't understand that each project is actually like one of my children, because that's just ABSURD. How could art be as important to someone as a CHILD or getting MARRIED for heaven's sake? Anyway. Rant over.)
This is the third campaign I've been directly involved with promoting. The first one, for Stings Like Acid by New Amerikan Theatre (of which I was one of the writers/produers) was an amazing, eye-opening experience that garnered us several hundred dollars beyond our original goal. The 2nd, for the Double XX Festival at Stone Soup Theatre started out similarly, had tremendous momentum behind it...and then I got fired over it - mostly due to a difference of opinion about how it was to be used (BAD, EVIL Carolynne for wanting to give each of the productions a little $$). Since a number of my personal friends had backed the project, many of them pulled their money after this occurred, and I saw the campaign lose momentum. It floundered and floundered...and then got "rescued" in the final week.
So now I'm helping run a campaign for eSe Teatro for the upcoming Oedipus El Rey at ACT's Eulalie Scanduzzi space in December. It started somewhat sluggishly, but now is beginning to build a little steam. The first few days were a little disappointing, and I felt personally responsible, but I guess this particular rollercoaster just started out with a straight and only slightly curvy track instead of a scary, upwards climb. It's only the beginning...
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Day to day thoughts, rants and mental detritus.